Audiobook: Minor Detail by Sharkey, Jack

The Project Gutenberg EBook of Minor Detail, by John Michael Sharkey

This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org

Title: Minor Detail

Author: John Michael Sharkey

Release Date: February 23, 2009 [EBook #28156]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK MINOR DETAIL ***

Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at https://www.pgdp.net

General Webb had a simply magnificent idea for getting ground forces into the enemy's territory despite rockets and missiles and things like that. It was a grand scheme, except for one

MINOR DETAIL

By JACK SHARKEY

The Secretary of Defense, flown in by special plane from the new Capitol Building in Denver, trotted down the ramp with his right hand outstretched before him.

At the base of the ramp his hand was touched, clutched and hidden by the right hand of General "Smiley" Webb in a hearty parody of a casual handshake. General Webb did everything in a big way, and that included even little things like handshakes.

Retrieving his hand once more, James Whitlow, the Secretary of Defense, smiled nervously with his tiny mouth, and said,

"Well, here I am."

This statement was taken down by a hovering circle of news reporters, dispatched by wireless and telephone to every town in the forty-nine states, expanded, contracted, quoted and misquoted, ignored and misconstrued, and then forgotten; all this in a matter of hours.

The nation, hearing it, put aside its wonted trepidations, took an extra tranquilizer or two, and felt secure once more. The government was in good hands.

* * * * *

Leaving the reporters in a disgruntled group beyond the cyclone-fence-and-barbed-wire barriers surrounding Project W, General Webb, seated beside Whitlow in the back of his private car, sighed and folded his arms.

"You'll be amazed!" he chortled, nudging his companion with a bony elbow.

"I--I expect so," said Whitlow, clinging to his brief case with both hands. It contained, among other things, a volume of mystery stories and a ham sandwich, neatly packaged in aluminum foil. Whitlow didn't want to chance losing it. Not, at least, until he'd eaten the sandwich.

"Of course, you're wondering where I got the idea for my project," said "Smiley" Webb, adding, for the benefit of his driver, "Keep your eyes on the road, Sergeant! The WAC barracks will still be there when you get off duty!"

"Yes, sir," came a hollow grunt from the front seat.

"Weren't you?" asked General Webb, gleaming a toothy smile in Whitlow's direction.

"Weren't I what?" Whitlow asked miserably, having lost the thread of their conversation due to a surreptitious glance backward at the WAC barracks in their wake.

"Wondering about the project!" snapped the general.

"Yes. We all were," said the Secretary of Defense, appending somewhat tartly, "That's why they sent me here."

"To be sure. To be sure," General Webb muttered. He didn't much like tartness in responses, but the Secretary of Defense, unfortunately, was hardly a subordinate, and therefore not subject to the general's choler. Silly little ass! he said to himself. Rather liking the sound of the words--albeit in his mind--he repeated them over again, adding embellishments like "pompous" and "mousy" and "squirrel-eyed." After three or four such thoughts, the general felt much better.

"I thought the whole thing up, myself," he said, proudly.

"I wish you'd stop being so ambiguous," Whitlow protested in a small voice. "Just what is this project? How does it work? Will it help us win the war?"

"Sssh!" said the general, jerking a quivering forefinger perpendicular before pursed lips. "Security!"

He closed one eye in a broad wink and wriggled a thumb in the direction of the driver. "He's only cleared for Confidential material," said the general, his tone casting aspersions on the sergeant's patriotism, ancestry and personal hygiene. "This project is, of course, Top Secret!" He said the words reverently, his face going all noble and brave. Whitlow half-expected him to remove his hat, but he did not.

They drove onward, then, in silence, until they passed by a large field, in the center of which Whitlow could discern the outlines of an immense bull's-eye, in front of a tall, somewhat rickety khaki-colored reviewing stand, draped in tired bunting.

"What's that?" asked Whitlow, relinquishing his grip on his brief case long enough to point toward the field.

"Ssssh!" said "Smiley" Webb. "You'll find out in a matter of hours."

"Many hours?" Whitlow asked, thinking of the ham sandwich.

General Webb consulted a magnificent platinum timepiece anchored to his thick hairy wrist by a stout leather strap.

"In exactly one hour, thirty-seven minutes, and forty-three-point-oh-oh-nine seconds!" he said, proudly.

"Thank you," Whitlow sighed. "You're certainly running this thing--whatever it is--in an efficient manner."

"Thank you!" General Webb glowed. "We like to think so," he added modestly.

Passwords, signs, countersigns, combination-locks and electronic recognition signals were negotiated one by one, until Whitlow was despairing of ever getting into the heart of Project W. He said as much to General Webb, who merely flashed the grin which gave him his nickname, and opened a final door.

For a moment, Whitlow thought he was going deaf. The shrill roar of screeching metal and throbbing dynamos that pounded at his eardrums began to fuddle his mind, until General Webb handed him a small cardboard box--also stamped, like every door and wall in the place, "Top Secret"--in which his trembling fingers located two ordinary rubber earplugs, which he instantly put to good use.

"There she is!" said General Webb, proudly, gesturing over the railing of the small balcony upon which they stood. "The Whirligig!"

"What?" called Secretary of Defense Whitlow, shaking his head to indicate he hadn't heard a word.

Somewhat piqued, but resigned, General Webb leaned his wide mouth nearly up against Whitlow's small pink plugged ear, and roared the same information at the top of his lungs.

Whitlow, a little stunned by the volume despite the plugs, nodded wearily, to indicate that he'd heard, then asked, in a high, piping voice, "What's it for?"

Webb's eyes bulged in their sockets. "Great heavens, man, can't you see?" He gestured down at his creation, his baby, his project, as though it were self-evident what its function was.

Whitlow strained his eyes to divine anything that might give a clue as to just what the government had been pouring money into for the past eight months. All he saw was what appeared to be a sort of ferris-wheel, except that it was revolving in a horizontal plane. The structure was completely enclosed in metal, and was whirling too fast for even the central shaft to be anything but a hazy, silver-blue blur.

"I see it," he shouted, squeakily. "But I don't understand it!"

"Come with me," said General Webb, re-opening the door at their backs. He was just about to step through when, with a quick blush of mortification, he remembered the "Top Secret" earplugs. Hastily, averting his face lest the other man see his embarrassment, he returned his plugs to their box, and did the same with Whitlow's.

Whitlow was glad when the door closed behind them.

"My office is this way," said Webb, striding off in a stiff military manner.

Whitlow, with a forlorn shrug, could do nothing but clutch his brief case and follow.

"It's this way," General Webb began, once they were seated uncomfortably in his office. From a pocket in his khaki jacket, Webb had produced a big-bowled calabash pipe, and was puffing its noxious gray fumes in all directions while he spoke. "Up until the late fifties, war was a simple thing ..."

Oh, not the March of Science Speech! said Whitlow to himself. He knew it by heart. It was the talk of the Capitol, and the nightmare of military strategists. As the general's voice droned on and on, Whitlow barely listened. The general, Top Secret or no Top Secret, was divulging nothing that wasn't common knowledge from the ruins of Philadelphia to the great Hollywood crater ...

All at once, weapons had gotten too good. That was the whole problem. Wars, no matter what the abilities of the death-dealing guns, cannon, rifles, rockets or whatever, needed one thing on the battlefield that could not be turned out in a factory: Men.

In order to win a war, a country must be vanquished. In order to vanquish a country, soldiers must be landed. And that was precisely wherein the difficulty lay: landing the soldiers.

Ships were nearly obsolete in this respect. Landing barges could be blown out of the water as fast as they were let down into it.

Paratroops were likewise hopeless. The slow-moving troop-carrying planes daren't even peek above the enemy's horizon without chancing an onslaught of "thinking" rockets that would stay on their trail until they were molten cinders falling into the sea.

So someone invented the supersonic carrier. This was pretty good, allowing the planes to come in high and fast over the enemy's territory, as fast as the land-to-air missiles themselves. The only drawback was that the first men to try parachuting at that speed were battered to confetti by the slipstream of their own carriers. That would not do.

Next, someone thought of the capsules. Each man was packed into a break-proof, shock-proof, water-proof, wind-proof plastic capsule, and ejected safely beyond the slipstream area of the carriers, at which point, each capsule sprouted a silken chute that lowered the enclosed men gently down into range of the enemy's rocket-fire ...

This plan was scrapped like the others.

And so, things were at a stalemate. There hadn't been a really good skirmish for nearly five years. War was hardly anything but a memory, what with both sides practically omnipotent. Unless troops could be landed, war was downright impossible. And, no one could land troops, so there was no war.

As a matter of fact, Whitlow liked the state of affairs. To be Secretary of Defense during a years-long peace was a soft job to top all soft jobs. And Whitlow didn't much like war. He'd rather live peacefully with his mystery stories and ham sandwiches.

But the Capitol, under the relentless lobbying of the munitions interests, was trying to find a way to get a war started.

They had tried simply bombing the other countries, but it hadn't worked out too well: the other countries had bombed back.

This plan had been scrapped as too dangerous.

And then, just when all seemed lost, when it looked as though mankind was doomed to eternal peace ...

Along came General "Smiley" Webb.

"Land troops?" he'd said, confidently, "nothing easier. With the government's cooperation, I can have our troops in any country in the world, safely landed, within the space of one year!"

Congress had voted him the money unanimously, and off he'd gone to work at Project W. No one knew quite what it was about, but the general had seemed so self-assured that-- Well, they'd almost forgotten about him until some ambitious clerk, trying to balance at least part of the budget, had discovered a monthly expenditure to an obscure base in the southwest totalling some millions of dollars. Perfunctory checking had brought out the fact that "Smiley" Webb had been drawing this money every month, and hadn't as much as mailed in a single progress report.

There'd been swift phone-calls from Denver to Project W, and, General Webb informed them, not only was all the money to be accounted for, but so was all the time and effort: the project was completed, and about to be tested. Would someone like to come down and watch?

Someone would.

And thus it was that James Whitlow, with mystery stories and ham sandwich, had taken the first plane from the Capitol ...

"... when all at once, I thought: Speed! Endurance! That is the problem!" said Webb, breaking in on Whitlow's reverie.

"I beg your pardon?" said the Secretary of Defense.

Webb whacked the dottle out of his pipe into a meaty palm, tossed the smoking cinders rather carelessly into a waste-basket, and leaned forward to confront the other man face to face, their noses almost nudging.

"Why are parachutes out?" he snapped.

"They go too slow," said Whitlow.

"Why do we use parachutes at all?"

"To keep the men from getting killed by the fall."

"Why does a fall kill the men?"

"It-- It breaks their bones and stuff."

"Bah!" Webb scoffed.

"Bah?" reiterated Whitlow. "Bah?"

"Certainly bah!" said the general. "All it takes is a little training."

"All what takes?" said Whitlow, helplessly.

"Falling, man, falling!" the general boomed. "If a man can fall safely from ten feet-- Why not from ten times ten feet!?"

"Because," said Whitlow, "increasing height accelerates the rate of falling, and--"

"Poppycock!" the general roared.

"Yes, sir," said Whitlow, somewhat cowed.

"Muscle-building. That's the secret. Endurance. Stress. Strain. Tension."

"If-- If you say so ..." said Whitlow, slumping lower and lower in his chair as the general's massive form leaned precariously over him. "But--"

"Of course you are puzzled," said the general, suddenly chummy. "Anyone would be. Until they realized the use to which I've put the Whirligig!"

"Yes. Yes, I suppose so ..." said Whitlow, thinking longingly of his ham sandwich, and its crunchy, moist green smear of pickle relish.

"The first day--" said General Webb, "it revolved at one gravity! They withstood it!"

"What did? Who withstood? When?" asked Whitlow, with much confusion.

"The men!" said the general, irritably. "The men in the Whirligig!"

Whitlow jerked bolt upright. "There are men in that thing?" It's not possible, he thought.

"Of course," said Webb, soothingly. "But they're all right. They've been in there for thirty days, whirling around at one gravity more each day. We have constant telephone communication with them. They're all feeling fine, just fine."

"But--" Whitlow said, weakly.

General Webb had him firmly by the arm, and was leading him out of the office. "We must get to the stands, man. Operation Human Bomb in ten minutes."

"Bomb?" Whitlow squeaked, scurrying alongside Webb as the larger man strode down the echoing corridor.

"A euphemism, of course," said Webb. "Because they will fall much like a bomb does. But they will not explode! No, they will land, rifles in hand, ready to take over the enemy territory."

"Without parachutes?" Whitlow marveled.

"Exactly," said the general, leading the way out into the blinding desert sunlight. "You see," he remarked, as they strolled toward the heat-shimmering outlines of the reviewing stand, its bunting hanging limp and faded in the dry, breezeless air, "it's really so simple I'm astonished the enemy didn't think of it first. Though, of course, I'm glad they didn't-- Ha! ha!" He oozed self-appreciation.

"Ha ha," repeated Whitlow, with little enthusiasm.

"When one is whirled at one gravity, you see, the wall--the outside rim--of the Whirligig, becomes the floor for the men inside. Each day, they have spent up to ten hours doing nothing but deep knee-bends, and eating high protein foods. Their legs will be able to withstand any force of landing. If they can do deep knee-bends at thirty gravities--during which, of course, each of them weighed nearly three tons--they can jump from any height and survive. Good, huh?"

Whitlow was worried as they clambered up into the stands. There seemed to be no one about but the two of them.

"Who else is coming?" he asked.

"Just us," said Webb. "I'm the only one with a clearance high enough to watch this. You're only here because you're my guest."

"But--" said Whitlow, observing the heat-baked wide-open spaces extending on all sides of the reviewing stand and bull's-eye, "the men on this base can surely watch from almost anywhere not beyond the horizon."

"They'd better not!" was the general's only comment.

"Well," said Whitlow, "what happens now?"

"The men that were in that Whirligig have--since you and I went to my office to chat--been transported to the airfield, from which point they were taken aloft--" he consulted his watch, "five minutes, and fifty-five-point-six seconds ago."

"And?" asked Whitlow, casually unbuckling the straps of his brief case and slipping out his sandwich.

"The plane will be within bomb vector of this target in just ten seconds!" said Webb, confidently.

Whitlow listened, for the next nine seconds, then, right on schedule, he heard the muted droning of a plane, high up. Webb joggled him with an elbow. "They'll fall faster than any known enemy weapon can track them," he said, smugly.

"That's fortunate," said Whitlow, munching desultorily at his sandwich. "Bud dere's wud thig budduhs bee."

"Hmmf?" asked the general.

Whitlow swallowed hastily. "I say, there's one thing bothers me."

"What's that?" asked the general.

"Well, it's just that gravity is centripetal, you know, and the Whirligig is centrifugal. I wondered if it might not make some sort of difference?"

"Bah!" said General Webb. "Just a minor detail."

"If you say so," Whitlow shrugged.

"There they come!" shouted the general, jumping to his feet.

Whitlow, despite his misgivings, found that he, too, was on his feet, staring skyward at the tiny dots that were detaching themselves from the shining bulk of the carrier plane. As he watched, his heart beating madly, the dots grew bigger, and soon, awfully soon, they could be distinguished as man-shaped, too.

"There's-- There's something wrong!" said the general. "What's that they're all shouting? It should be 'Geronimo' ..."

Whitlow listened. "It sounds more like 'Eeeeeyaaaaa'," he said.

And it was.

The sound grew from a distant mumble to a shrieking roar, and the next thing, each man had landed upon the concrete-and-paint bull's-eye before the reviewing stand.

Whitlow sighed and re-buckled his brief case.

The general moaned and fainted.

And the men of the Whirligig, all of whom had landed on the target head-first, did nothing, their magnificently muscled legs waving idly in a sudden gentle gust of desert breeze.

THE END

Transcriber's Note:

This etext was produced from Amazing Stories November 1959. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

End of the Project Gutenberg EBook of Minor Detail, by John Michael Sharkey

*** END OF THIS PROJECT GUTENBERG EBOOK MINOR DETAIL ***

***** This file should be named 28156.txt or 28156.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/2/8/1/5/28156/

Updated editions will replace the previous one--the old editions will be renamed.

Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.

*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license).

Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed:

1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that

- You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org

For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected]

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.