Audiobook: Pythias by Pohl, Frederik

The Project Gutenberg EBook of Pythias, by Frederik Pohl

This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org

Title: Pythias

Author: Frederik Pohl

Illustrator: Mel Hunter

Release Date: November 3, 2009 [EBook #30399]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK PYTHIAS ***

Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at https://www.pgdp.net

PYTHIAS

By FREDERIK POHL

Illustrated by MEL HUNTER

Sure, Larry Connaught saved my life--but it was how he did it that forced me to murder him!

I am sitting on the edge of what passes for a bed. It is made of loosely woven strips of steel, and there is no mattress, only an extra blanket of thin olive-drab. It isn't comfortable; but of course they expect to make me still more uncomfortable.

They expect to take me out of this precinct jail to the District prison and eventually to the death house.

Sure, there will be a trial first, but that is only a formality. Not only did they catch me with the smoking gun in my hand and Connaught bubbling to death through the hole in his throat, but I admitted it.

I--knowing what I was doing, with, as they say, malice aforethought--deliberately shot to death Laurence Connaught.

They execute murderers. So they mean to execute me.

Especially because Laurence Connaught had saved my life.

Well, there are extenuating circumstances. I do not think they would convince a jury.

Connaught and I were close friends for years. We lost touch during the war. We met again in Washington, a few years after the war was over. We had, to some extent, grown apart; he had become a man with a mission. He was working very hard on something and he did not choose to discuss his work and there was nothing else in his life on which to form a basis for communication. And--well, I had my own life, too. It wasn't scientific research in my case--I flunked out of med school, while he went on. I'm not ashamed of it; it is nothing to be ashamed of. I simply was not able to cope with the messy business of carving corpses. I didn't like it, I didn't want to do it, and when I was forced to do it, I did it badly. So--I left.

Thus I have no string of degrees, but you don't need them in order to be a Senate guard.

* * * * *

Does that sound like a terribly impressive career to you? Of course not; but I liked it. The Senators are relaxed and friendly when the guards are around, and you learn wonderful things about what goes on behind the scenes of government. And a Senate guard is in a position to do favors--for newspapermen, who find a lead to a story useful; for government officials, who sometimes base a whole campaign on one careless, repeated remark; and for just about anyone who would like to be in the visitors' gallery during a hot debate.

Larry Connaught, for instance. I ran into him on the street one day, and we chatted for a moment, and he asked if it was possible to get him in to see the upcoming foreign relations debate. It was; I called him the next day and told him I had arranged for a pass. And he was there, watching eagerly with his moist little eyes, when the Secretary got up to speak and there was that sudden unexpected yell, and the handful of Central American fanatics dragged out their weapons and began trying to change American policy with gunpowder.

You remember the story, I suppose. There were only three of them, two with guns, one with a hand grenade. The pistol men managed to wound two Senators and a guard. I was right there, talking to Connaught. I spotted the little fellow with the hand grenade and tackled him. I knocked him down, but the grenade went flying, pin pulled, seconds ticking away. I lunged for it. Larry Connaught was ahead of me.

The newspaper stories made heroes out of both of us. They said it was miraculous that Larry, who had fallen right on top of the grenade, had managed to get it away from himself and so placed that when it exploded no one was hurt.

For it did go off--and the flying steel touched nobody. The papers mentioned that Larry had been knocked unconscious by the blast. He was unconscious, all right.

He didn't come to for six hours and when he woke up, he spent the next whole day in a stupor.

I called on him the next night. He was glad to see me.

"That was a close one, Dick," he said. "Take me back to Tarawa."

I said, "I guess you saved my life, Larry."

"Nonsense, Dick! I just jumped. Lucky, that's all."

"The papers said you were terrific. They said you moved so fast, nobody could see exactly what happened."

He made a deprecating gesture, but his wet little eyes were wary. "Nobody was really watching, I suppose."

"I was watching," I told him flatly.

He looked at me silently for a moment.

"I was between you and the grenade," I said. "You didn't go past me, over me, or through me. But you were on top of the grenade."

He started to shake his head.

I said, "Also, Larry, you fell on the grenade. It exploded underneath you. I know, because I was almost on top of you, and it blew you clear off the floor of the gallery. Did you have a bulletproof vest on?"

He cleared his throat. "Well, as a matter of--"

"Cut it out, Larry! What's the answer?"

He took off his glasses and rubbed his watery eyes. He grumbled, "Don't you read the papers? It went off a yard away."

"Larry," I said gently, "I was there."

He slumped back in his chair, staring at me. Larry Connaught was a small man, but he never looked smaller than he did in that big chair, looking at me as though I were Mr. Nemesis himself.

Then he laughed. He surprised me; he sounded almost happy. He said, "Well, hell, Dick--I had to tell somebody about it sooner or later. Why not you?"

I can't tell you all of what he said. I'll tell most of it--but not the part that matters.

I'll never tell that part to anybody.

Larry said, "I should have known you'd remember." He smiled at me ruefully, affectionately. "Those bull sessions in the cafeterias, eh? Talking all night about everything. But you remembered."

"You claimed that the human mind possessed powers of psychokinesis," I said. "You argued that just by the mind, without moving a finger or using a machine, a man could move his body anywhere, instantly. You said that nothing was impossible to the mind."

I felt like an absolute fool saying those things; they were ridiculous notions. Imagine a man thinking himself from one place to another! But--I had been on that gallery.

I licked my lips and looked to Larry Connaught for confirmation.

"I was all wet," Larry laughed. "Imagine!"

I suppose I showed surprise, because he patted my shoulder.

He said, becoming sober, "Sure, Dick, you're wrong, but you're right all the same. The mind alone can't do anything of the sort--that was just a silly kid notion. But," he went on, "but there are--well, techniques--linking the mind to physical forces--simple physical forces that we all use every day--that can do it all. Everything! Everything I ever thought of and things I haven't found out yet.

"Fly across the ocean? In a second, Dick! Wall off an exploding bomb? Easily! You saw me do it. Oh, it's work. It takes energy--you can't escape natural law. That was what knocked me out for a whole day. But that was a hard one; it's a lot easier, for instance, to make a bullet miss its target. It's even easier to lift the cartridge out of the chamber and put it in my pocket, so that the bullet can't even be fired. Want the Crown Jewels of England? I could get them, Dick!"

I asked, "Can you see the future?"

He frowned. "That's silly. This isn't supersti--"

"How about reading minds?"

Larry's expression cleared. "Oh, you're remembering some of the things I said years ago. No, I can't do that either, Dick. Maybe, some day, if I keep working at this thing-- Well, I can't right now. There are things I can do, though, that are just as good."

"Show me something you can do," I asked.

He smiled. Larry was enjoying himself; I didn't begrudge it to him. He had hugged this to himself for years, from the day he found his first clue, through the decade of proving and experimenting, almost always being wrong, but always getting closer.... He needed to talk about it. I think he was really glad that, at last, someone had found him out.

He said, "Show you something? Why, let's see, Dick." He looked around the room, then winked. "See that window?"

[Illustration]

I looked. It opened with a slither of wood and a rumble of sash weights. It closed again.

"The radio," said Larry. There was a click and his little set turned itself on. "Watch it."

It disappeared and reappeared.

"It was on top of Mount Everest," Larry said, panting a little.

The plug on the radio's electric cord picked itself up and stretched toward the baseboard socket, then dropped to the floor again.

"No," said Larry, and his voice was trembling, "I'll show you a hard one. Watch the radio, Dick. I'll run it without plugging it in! The electrons themselves--"

He was staring intently at the little set. I saw the dial light go on, flicker, and hold steady; the speaker began to make scratching noises. I stood up, right behind Larry, right over him.

I used the telephone on the table beside him. I caught him right beside the ear and he folded over without a murmur. Methodically, I hit him twice more, and then I was sure he wouldn't wake up for at least an hour. I rolled him over and put the telephone back in its cradle.

I ransacked his apartment. I found it in his desk: All his notes. All the information. The secret of how to do the things he could do.

I picked up the telephone and called the Washington police. When I heard the siren outside, I took out my service revolver and shot him in the throat. He was dead before they came in.

For, you see, I knew Laurence Connaught. We were friends. I would have trusted him with my life. But this was more than just a life.

Twenty-three words told how to do the things that Laurence Connaught did. Anyone who could read could do them. Criminals, traitors, lunatics--the formula would work for anyone.

Laurence Connaught was an honest man and an idealist, I think. But what would happen to any man when he became God? Suppose you were told twenty-three words that would let you reach into any bank vault, peer inside any closed room, walk through any wall? Suppose pistols could not kill you?

They say power corrupts; and absolute power corrupts absolutely. And there can be no more absolute power than the twenty-three words that can free a man of any jail or give him anything he wants. Larry was my friend. But I killed him in cold blood, knowing what I did, because he could not be trusted with the secret that could make him king of the world.

But I can.

--FREDERIK POHL

Transcriber's Note:

This etext was produced from Galaxy Science Fiction February 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

End of the Project Gutenberg EBook of Pythias, by Frederik Pohl

*** END OF THIS PROJECT GUTENBERG EBOOK PYTHIAS ***

***** This file should be named 30399.txt or 30399.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/3/0/3/9/30399/

Updated editions will replace the previous one--the old editions will be renamed.

Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.

*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license).

Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed:

1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that

- You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org

For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected]

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.