Read and listen to the book Punch Cartoons of the Great War by Various.
Audiobook: Punch Cartoons of the Great War by Various
The Project Gutenberg EBook of Punch Cartoons of the Great War, by Various
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license
Title: Punch Cartoons of the Great War
Author: Various
Release Date: July 18, 2014 [EBook #46322]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH CARTOONS OF THE GREAT WAR ***
Produced by Brian Coe, MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
PUNCH CARTOONS
of the
GREAT WAR
NEW YORK : : : MCMXV GEORGE H. DORAN COMPANY
CONTENTS
Page
The Days Preceding the War 7
The Struggle 39
Uncle Sam 93
The Comedies of the Great Tragedy 105
Women and Children First 135
The New Rake's Progress--Unser Kaiser 151
The Raider 173
The Unspeakable Turk 181
Italia! 207
THE DAYS PRECEDING THE WAR
[Illustration: A WISE WARNING]
D�dalus Bismarck (Political Parent of Wilhelm Icarus).
"My son, observe the middle path to fly, And fear to sink too low, or rise too high. Here the sun melts, there vapours damp your force, Between the two extremes direct your course.
"Nor on the bear, nor on bo�tes gaze, Nor on sword-arm'd orion's dangerous rays: But follow me, thy guide, with watchful sight, And, as I steer, direct thy cautious Flight."
OVID, "Metamorphoses," Book VIII., Fable III.
October 6, 1888.
[Illustration: THE HAUNTED SHIP
(Twenty-five years after "Dropping the Pilot.")
Ghost of the Old Pilot. "I Wonder if He Would Drop Me NOW!"
(April 1st is the hundredth anniversary of BISMARCK'S birth.)
March 31, 1915.]
[Illustration: L'ENFANT TERRIBLE
Chorus in the Stern. "Don't Go On Like That--or You'll Upset Us All!!"
May 10, 1890.]
[Illustration: THE IMPERIAL JACK-IN-THE-BOX
Chorus (Everybody). "Everything in Order Everywhere! O! What a Surprise! Sold Again!"
January 20, 1893.]
[Illustration: THE MODERN ALEXANDER'S FEAST; OR, THE POWER OF SOUND]
"With ravished ears, The Monarch hears, Assumes the God, Affects to nod, And seems to shake the spheres!"
March 5, 1892.
[Illustration: THE STORY OF FIDGETY WILHELM
(Up-to-date version of "Struwwelpeter.")]
"Let me see if Wilhelm can Be a little gentleman; Let me see if he is able To sit still for once at table!"
"But fidgety Will He won't sit still."
Just like any bucking horse. "Wilhelm! We are getting cross!"
February 1, 1896.
[Illustration: A NEW R�LE
IMPERIAL "MANAGER-ACTOR" (who has cast himself for a leading part in "Un Voyage en Chine," sotto voce).
"Um--Ha! With just a few additional touches here and there, I shall make a first-rate Emperor of China!"
January 15, 1898.]
[Illustration: ON TOUR
(Tangier, March 31.)
KAISER WILHELM (as the Moor of Potsdam) sings:--
"'Unter den Linden'--always at Home, 'Under the Lime-light' wherever I roam!"
April 5, 1905.]
[Illustration: COOK'S CRUSADER
IMPERIAL KNIGHT TEMPLAR (the German Emperor--to SALADIN). "What!! The Christian Powers putting pressure upon You, my dear Friend!! Horrible! I can't think how People can do such things!"
October 15, 1898.]
[Illustration: NOT IN THE PICTURE
SCENE--On shore, during the visit of the British Fleet to Brest.
MR. PUNCH (Photographer, suavely, to the KAISER). "Just a leetle further back, please, Sir. Your shadow still rather interferes with the group."
July 12, 1905.]
[Illustration: THE SOWER OF TARES
(After Millais)
August 23, 1905.]
[Illustration: "ISOLATION"
PEACE (attending the Inter-Parliamentary Congress at Berlin). "Everybody else seems to be my friend; why do you stand aloof?"
GERMAN KAISER. "But haven't I always said that I was your friend?"
PEACE. "Yes; but can't you do something to prove it?"
September 23, 1908.]
[Illustration: THE TEUTONISING OF TURKEY
GERMAN KAISER. "Good Bird!"
October 5, 1910.]
[Illustration: HARMONY
[THE GERMAN EMPEROR has been patronising the Centenary of KRUPP'S Gun Factory]
August 14, 1912. ]
[Illustration: THE BLIND SIDE
GERMAN OFFICER: "Glad to hear you're going to fortify your sea-front. Very dangerous people, these English."
DUTCHMAN: "But it will cost much."
GERMAN OFFICER: "Ah, but see what you save on the Eastern Frontier, where there's nobody but us."
January 11, 1911.]
THE STRUGGLE
[Illustration: WELL MET!
GREAT BRITAIN JOINS HER ALLIES IN THE FIELD
August 19, 1914.]
[Illustration: BRAVO, BELGIUM!
August 12, 1914.]
[Illustration: FOR FRIENDSHIP AND HONOUR
[Illustration: AT THE POST OF HONOUR
LIBERTY (to Belgium). "TAKE COMFORT. YOUR COURAGE IS VINDICATED; YOUR WRONGS SHALL BE AVENGED."
September 2, 1914.]
[Illustration: INDIA FOR THE KING!
September 9, 1914.]
[Illustration: HAIL! RUSSIA!
September 16, 1914.]
[Illustration: BOER AND BRITON TOO
GENERAL BOTHA (composing telegram to the KAISER). "Just off to repel another raid. Your customary wire of congratulation should be addressed: 'British Headquarters--German South-west Africa.'"
September 30, 1914.]
[Illustration: A NORTH SEA CHANTEY
(To the tune of "Tipperary.")
JACK. "IT'S A LONG, LONG WAIT FOR WILLIAM'S NAVY, BUT MY HEART'S RIGHT HERE"
October 14, 1914.]
[Illustration: THE ROAD TO RUSSIA
October 7, 1914.]
[Illustration: UNCONQUERABLE
THE KAISER. "SO, YOU SEE--YOU'VE LOST EVERYTHING."
THE KING OF THE BELGIANS. "NOT MY SOUL."
October 21, 1914.]
[Illustration: A PLAIN DUTY
BRITANNIA (to Holland). "MY RESOURCES AND MY OBLIGATIONS ARE GREATER THAN YOURS; LET THIS SERVICE FALL UPON ME."
[The number of Belgian refugees in Holland is probably ten times as great as the number in England.]
October 28, 1914.]
[Illustration: FOREWARNED
ZEPPELIN (as "The Fat Boy"). "'I WANTS TO MAKE YOUR FLESH CREEP.'"
JOHN BULL. "RIGHT-O!"
November 4, 1914.]
[Illustration: THE EXCURSIONIST
SCENE: Ticket Office at ---- (censored).
Tripper Wilhelm. "FIRST CLASS TO PARIS." Clerk. "LINE BLOCKED."
Wilhelm. "THEN MAKE IT WARSAW." Clerk. "LINE BLOCKED."
Wilhelm. "WELL, WHAT ABOUT CALAIS?" Clerk. "LINE BLOCKED."
Wilhelm. "HANG IT! I MUST GO SOMEWHERE! I PROMISED MY PEOPLE I WOULD."
[Illustration: THE EAGLE COMIQUE
KAISER (reviving old Music-hall refrain). "HAS ANYBODY HERE SEEN CALAIS?"
November 18, 1914.]
[Illustration: GOOD HUNTING
A CHIP OFF THE OLD BLOCK
[Illustration: MEN OF FEW WORDS
Grand Duke Nicholas. "�A MARCHE?"
General Joffre. "ASSEZ BIEN. ET CHEZ VOUS?"
Grand Duke. "PAS MAL."
December 2, 1914.]
[Illustration: THE KING AT THE FRONT
"Tommy" (having learned the language). "VIVE LE ROI!"
December 9, 1914.]
[Illustration: THE INNOCENT
Crown Prince. "THIS OUGHT TO MAKE FATHER LAUGH!"
[In an alleged interview the CROWN PRINCE is reported to have said, "As to being a war agitator, I am truly sorry that people don't know me better. There is no 'War Party' in Germany now--nor has there ever been."]
[Illustration: KILLED!
[With Mr. Punch's compliments to General Botha]
December 16, 1914.]
[Illustration: FULFILMENT
Austria. "I SAID ALL ALONG THIS WAS GOING TO BE A PUNITIVE EXPEDITION"
December 23, 1914.]
[Illustration: THE BREAKING OF THE SPELL
STEINBACH, JANUARY 3, 1915
January 13, 1915.]
[Illustration: AN AWFUL WARNING
Austria (to Rumania). "NOW, BE CAREFUL! REMEMBER WHAT I DID TO SERBIA!"
January 20, 1915.]
[Illustration: THE OUTCAST
A PLACE IN THE SHADOW
February 19, 1915.]
[Illustration: A PAINFUL REFLECTION
Austria. "HEAVENS! AM I REALLY AS BAD AS THAT? TAKE IT AWAY."
[It seems to be dawning upon Vienna that the armies of Austria have not been consistently victorious.]
April 14, 1915.]
[Illustration: CANADA!
YPRES: APRIL 22-24, 1915
May 5, 1915.]
[Illustration: THE NEW ARMY TO THE FRONT
December 30, 1914.]
UNCLE SAM
[Illustration: NOTHING DOING
Imperial Dachshund. "Here I've been sitting up and doing tricks for the best part of seven weeks, and you take no more notice of me than if----"
Uncle Sam. "Cut it out!"
September 23, 1914.]
[Illustration: AS BETWEEN FRIENDS
British Lion. "Please don't look at me like that, Sam. YOU'RE not the eagle I'm up against."
January 6, 1915.]
[Illustration: A BRAZEN BAND
Imperial Conductor. "Stick to it, Tirpitz; keep on melting their hearts!"
[Illustration: REJECTED ADDRESSES
KAISER (to America). "Perhaps it was right to dissemble your love; But why did you kick me downstairs?"
April 21, 1915.]
[Illustration: THE RESOURCEFUL LOVER
TEUTON TROUBADOUR (serenading the fair Columbia). "If she won't listen to my love-songs, I'll try her with a brick!"
February 17, 1915.]
THE COMEDIES OF THE GREAT TRAGEDY
[Illustration: STUDY OF A PRUSSIAN HOUSEHOLD HAVING ITS MORNING HATE
February 24, 1915.]
[Illustration: German Bird. "I see it doesn't say anything about eagles."
August 26, 1914.]
[Illustration: THE HOHENZOLLERN (megaphonically). "Take courage, my brave Germans. Your Kaiser is prepared to sacrifice a million of you."
[Illustration: German Kaiser. "Let us prey."
[Illustration: THE HUNTER HUNTED
[With acknowledgments to Mr. J. C. Dollman.]
[Illustration: Admiral of the Atlantic (to himself). "It is My Imperial pleasure to present You with the Order of the Masthead Broom (First Class) in recognition of Your conspicuous success in sweeping the seas."
[Illustration: The Wolff. "Good morning, my dear Little Red Riding Hood. Wouldn't you like me to tell you one of my pretty tales?"
Little Miss Holland. "Thanks; but I'm NOT Little Red Riding Hood, and I don't want any of your fairy stories."
[Illustration: A GARGOYLE OF NOTRE DAME DE PARIS
(With acknowledgements to the etching by M. M�ryon.)
Spirits of evil, when they're thrown Out of a Church, are turned to stone;
But the above was petrified Even before he got inside.
[Illustration: LATEST DEVICE OF THE ENEMY
Learning to sing "It's a long, long way to Tipperary" for the purpose of deceiving the Allies.
[Illustration:
WILHELM the PEACEMAKER
Uhlan's Kindness To Belgian Peasant
The Angelus. German Soldier's Reverence At A French Cathedral
German Soldier Carrying Parcels for British Prisoner
German Helping A Wounded British Soldier
German Soldier Serving Tea to Wounded Enemies
German Soldiers Romping with Belgian Children
German Feeding Starving Belgians
A Prussian Court-painter earning an Iron Cross by painting pictures in praise of the Fatherland for neutral consumption
November 11, 1914.]
[Illustration: UNRECORDED EVENTS IN THE HISTORY OF THE WAR
German soldiers being roused to enthusiasm by the "Hymn of Hate"
[Illustration: THE IRON CROSS EPIDEMIC
Captain of a German cruiser, hurrying home after shelling health-resort, gives orders to lighten the ship for the sake of speed.
[Illustration: HOW TO BRING UP A HUN
The Teutonic substitute for Milk
[Illustration: Turkey. "Looks very tempting and fruity; but what I want to know is, who's going to pay the doctor's bill if complications ensue?"
[Illustration: FAITH
[Illustration: Voice on telephone (from Berlin). "Well, have you dammed the Suez Canal yet?"
Turk. "Yes--often!"
February 10, 1915.]
[Illustration: Turk. "I say, you fellows! Do you see the other Allies are pooling their Funds? Capital idea!"
[Illustration: "IN THE SPRING A YOUNG MAN'S FANCY----"
The Crown Prince. "I DON'T BELIEVE I WAS MEANT TO WIN BATTLES; I BELIEVE I WAS MEANT TO BE LOVED."
April 28, 1915.]
[Illustration: German Kaiser. "We are not satisfied with Our moustache; it seems to need support on the Eastern side."
[Illustration: FOR NEUTRAL CONSUMPTION
[Illustration: WILLIAM THE GALLANT
The Kaiser, by gifts of roses, has been trying to ingratiate himself with the Grand Duchess of Luxembourg, whose country he has invaded in defiance of treaty obligations.
WOMEN AND CHILDREN FIRST
[Illustration: THE TRIUMPH OF "CULTURE"
[Illustration: GOD (AND THE WOMEN) OUR SHIELD!
STUDY OF A GERMAN GENTLEMAN GOING INTO ACTION
[Illustration: DISHONOURED
Captain of the EMDEN. "DIRTY WORK!"
[Illustration: THE FLIGHT THAT FAILED
The Emperor. "WHAT! NO BABES, SIRRAH?"
The Murderer. "ALAS! SIRE, NONE."
The Emperor. "WELL, THEN, NO BABES, NO IRON CROSSES."
[Exit murderer, discouraged.]
January 27, 1915.]
[Illustration: THE BREAD-WINNER
March 3, 1915.]
[Illustration: A GREAT NAVAL TRIUMPH
German Submarine Officer. "THIS OUGHT TO MAKE THEM JEALOUS IN THE SISTER SERVICE. BELGIUM SAW NOTHING BETTER THAN THIS."
April 7, 1915.]
[Illustration: THE ELIXIR OF HATE
Kaiser. "'FAIR IS FOUL, AND FOUL IS FAIR; HOVER THROUGH THE FOG AND FILTHY AIR.'"
THE NEW RAKE'S PROGRESS--UNSER KAISER
[Illustration: THE COMING OF THE COSSACKS
Wilhelm II. "WHAT IS THIS DISTANT RUMBLING THAT I HEAR? DOUBTLESS THE PLAUDITS OF MY PEOPLE!"
[Illustration: THE WORLD'S ENEMY
The Kaiser. "WHO GOES THERE?"
Spirit of Carnage. "A FRIEND--YOUR ONLY ONE."
[Illustration: MADE IN GERMANY
Kaiser. "I'M NOT QUITE SATISFIED WITH THE SWORD. PERHAPS, AFTER ALL, THE PEN IS MIGHTIER!"
[Illustration: THE GREAT ILLUSION
Kaiser. "MY POOR BIRD, WHAT HAS HAPPENED TO YOUR TAIL-FEATHERS?"
German Eagle. "CAN YOU BEAR THE TRUTH, SIRE?"
Kaiser. "IF IT'S NOT FOR PUBLICATION."
German Eagle. "IT'S LIKE THIS, THEN. YOU TOLD ME THE BRITISH LION WAS CONTEMPTIBLE. WELL--HE WASN'T!"
[Illustration: THE GREAT GOTH
DESIGN FOR A STAINED-GLASS WINDOW IN A NEO-GOTHIC CATHEDRAL AT POTSDAM
[Illustration: GIVING THE SHOW AWAY
German Press Bureau Photographer. "Costume perfect, Sire--accessories admirable; but, in view of all these 'victories,' dare we suggest that the EXPRESSION might be just a touch more JUBILANT?"
[Illustration: THE LIMIT
Scene: The Coast of Belgium
The Kaiser. "'WHAT ARE THE WILD WAVES SAYING?'"
Wild Waves. "WE WERE JUST SAYING, 'THUS FAR, AND NO FARTHER!'"
[Illustration: A CHRONIC COMPLAINT
Aide-de-Camp. "'THE ENGLISH FORCE, SO PLEASE YOU.'"
Kaiser. "'TAKE THY FACE HENCE ... I AM SICK AT HEART.'"
Macbeth, Act V., Sc. 3.
[Illustration: THE WHITEWASHERS
Kaiser. "Lay it on, my worthy professors--lay it on thick! I want every drop of it."
[Illustration: WILFUL MURDER
The Kaiser. "TO THE DAY----" Death. "----OF RECKONING!"
May 19, 1915.]
THE RAIDER
[Illustration: THE RETURN OF THE RAIDER
Kaiser. "WELL, I AM SURPRISED!"
Tirpitz. "SO WERE WE."
February 3, 1915.]
[Illustration: "SOUND AND FURY"
Kaiser. "IS ALL MY HIGH SEAS FLEET SAFELY LOCKED UP?"
Admiral von Tirpitz. "PRACTICALLY ALL, SIRE."
Kaiser. "THEN LET THE STARVATION OF ENGLAND BEGIN!"
[Illustration: RUNNING AMOK
German Bull. "I KNOW I'M MAKING A ROTTEN EXHIBITION OF MYSELF; BUT I SHALL TELL EVERYBODY I WAS GOADED INTO IT."
THE UNSPEAKABLE TURK
[Illustration: OUT OF BOUNDS
John Bull. "SHOO! SHOO!"
May 9, 1906.]
[Illustration: ARMAGEDDON: A DIVERSION
TURKEY. "Good! if only all those other Christian nations get at one another's throats, I may have a dog's chance yet."
December 4, 1912.]
[Illustration: SETTLED
Dame Europa. "You've always been the most troublesome boy in the school. Now go and consolidate yourself."
Turkey. "Please, ma'am, what does that mean?"
Dame Europa. "It means going into that corner--and stopping there!"
April 2, 1913.]
[Illustration: HIS MASTER'S VOICE
THE KAISER (to Turkey, reassuringly). "Leave everything to me. All you've got to do is to explode."
TURKEY. "Yes, I quite see that. But where shall I be when it's all over?"
[Illustration: THE EUPHEMISTS
Kaiser. "I say, how are you going to explain away the surrender of your army corps in the Caucasus?"
Sultan of Turkey. "Nothing simpler. I shall say, 'Our gallant troops determined to embarrass the enemy's commissariat, and carried out their object with overwhelming success."
Kaiser. "Splendid! Couldn't have put it better myself."
Sultan. "My dear boy, we were in the business ages and ages before you were thought of."
[Illustration: THE GOD IN THE CART
(An Unrehearsed Effect.)
Turkey. "I'm getting a bit fed up with this. I shall kick soon."
Austria. "Well, I was thinking of lying down."
[Illustration: THE RIDDLE OF THE SANDS
Turkish Camel. "WHERE TO?"
German Officer. "EGYPT."
Camel. "GUESS AGAIN."
German Sentry. "WHO GOES THERE?" Turk. "A FRIEND--CURSE YOU!"
[Illustration: THE DISSEMBLERS
[January 27th]
Emperor of Austria. "NOW WHAT DO WE REALLY WANT TO SAY?"
Sultan of Turkey. "WELL, OF COURSE, WE COULDN'T SAY THAT; NOT ON HIS BIRTHDAY."
[Illustration: WILLIAM O' THE WISP
[Illustration: THE REVERSION
Turkey. "I'M GIVING UP THIS BED, WILLIAM. WON'T YOU TAKE MY PLACE?"
[Illustration: "'He's as willing as a Christian; strike me blind if he isn't,' said Sikes."
Oliver Twist, Chap. xvi.
(With apologies to the late Fred Barnard.)
ITALIA!
[Illustration: ON THE FENCE
All-Highest (to certain Neutrals). "ABOUT--TURN!" [They sit tight.]
March 17, 1915.]
[Illustration: VICARIOUS GENEROSITY
Kaiser. "SHOULD YOU WANT SOME MORE FEATHERS, I KNOW A TWO-HEADED EAGLE"
March 24, 1915.]
[Illustration: THE AWAKENING
Prince von B�low (to Italy). "STOP, STOP, SIGNORA! YOU'RE SUPPOSED TO BE MESMERISED--NOT MOBILISED!"
[Illustration: ON WITH THE NEW HATE
May 12, 1915.]
* * * * *
TRANSCRIBER'S NOTES
Minor punctuation errors repaired.
Italic text is denoted by underscores
p69 A CHIP OF THE OLD BLOCK has been replaced with A CHIP OFF THE OLD BLOCK
End of Project Gutenberg's Punch Cartoons of the Great War, by Various
*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH CARTOONS OF THE GREAT WAR ***
***** This file should be named 46322-8.txt or 46322-8.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/6/3/2/46322/
Updated editions will replace the previous one--the old editions will be renamed.
Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed:
1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that
- You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
- You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need, are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org
For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected]
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.